Showing posts with label malcolm lomax. Show all posts
Showing posts with label malcolm lomax. Show all posts

Friday, June 25, 2010

Photos from MoMT by DUOX

MoMT (Museum of Modern Twink) by DUOX at the former GLCCB bookstore on West Chase Street. This impressive venture is worth checking out! Artists Malcolm Lomax and Dan Wickerham say the body (and dismemberment), relics and death were recurring themes in creating the installation:






















Tuesday, June 22, 2010

Baltimore collaborative duo, DUOX, and their Museum of Modern Twink written up in V magazine

Recent MICA graduates Dan Wickerham and Malcolm Lomax have been working collaboratively under the name "DUOX" on their exhibition MoMT (Museum of Modern Twink) at the GLCCB on West Chase Street. V magazine interviews Dan Wickerham on the show:

Bored with the art establishment and with gay pride culture, the artist group DUOX (comprised of Dan Wickerham and Malcolm Lorax), decided to put together an exhibit about the art establishment…an exhibit that coincides with Baltimore pride. Opening Friday , June 18th, MoMT confronts art goers and Justin Bieber fanatics as one, presenting them with “The Museum of Modern Twink.” Set in an old GLBT Bookstore, the show seeks to portray an anachronistic non-linearity. Translation? Get ready to see the art world in a new, and altogether twinky, light. Here we talk to Daniel Wickerham. Patrik Sandberg ...Read More

(Ten Tigers pix coming soon)

Tuesday, October 13, 2009

King Me Opens @ Open Space

King Me, the two person show of fresh MICA alums, Dan Wickerham and Malcolm Lomax which opened at Open Space this past Saturday was, in short, a hot mess (please refer to definition 2 in the Urban Dictionary). The chaotic/slacker/inside-joke-based installation was, while undeniably enthusiastic, a little lack-luster. Amidst the phonebooks, sawhorses, and porn clippings (all of which there could honestly have been more of), the best moments were when the artists went big with the bold. The two large wall pieces, which half-concealed smaller framed objects, helped to reign in the smaller collages and object-piles around the room, while simultaneously calling attention to those areas lacking impact. Each object was treated a tad too preciously for the overall aesthetic, and many of the details were swallowed by the enormity of the space.